RAINIER LERICOLAIS

RAINIER LERICOLAIS " re TG " (ink & water, 2004)

RAINIER LERICOLAIS is a composer and visual artist from Paris. As a musician he has released several works and has contributed to many collaborative projects. One of his most notable collaborations is with Simon Fisher Turner ("Lana Lara Lata" album). He has also composed music for films and other visual events.
LERICOLAIS compositions are characterized by a personal way in selecting and combining sounds, ideas, forms from many territories ranging from glitch electronica, acoustic, modern classical, noise, field recordings, vocal exploration, even pop culture. The innovative and unexpected sound qualities of his music draw the "lost and found" of things, the "revealed and obscured" of a fragmented and multi-layered reality where the human presence is in fluid distances between the familiar and the strange and where some kind of mystery seems to derive from the silent corners of daily life.

Selected music works:
"Copie"(cd, 2006),
"My Song Exaggerated To Dilate Horizontally"(cd, 2007),
"No Image" (with Simon Fisher Turner, recorded 2005-07)

Rainier's artwork for the magnificent " Myths" compilation

Visit RAINIER at my space: http://www.myspace.com/lericolaisrainer

See RAINIER visual art at:
http://www.galeriefrankelbaz.com/wp/artists/rainier-lericolais/rainier-lericolais-images/

PIERRE BETTENCOURT: The Mosaic World Of Words

Known mainly as a painter, French artist PIERRE BETTENCOURT (1917-2006) was also typographer, publisher, illustrator, poet & writer of numerous short texts, many of which illustrated, set up and printed by himself at his legendary printing house in Saint-Maurice d`Etelan, Normandy.
Apart from his own works, Bettencourt published, with the same superior handmade printing quality, works of HENRI MICHAUX, JEAN PAULHAN, MARCEL BEALU, JEAN FERRY, ANTONIN ARTAUD, JEAN DUBUFFET, ANDRE GIDE, FRANCIS PONGE... all in very limited number of copies (less than 300). His work as a printer has been acclaimed as "talking typography".

"My first passion was printing. The profession of a typographer is a decent profession, it has little to do with fame and money, those two great corrupters of artists. I started printing my own works and then works of authors i loved. [...] I wanted to tell those texts through my own voice...and, finally, i used the voice of type glyphs for telling them. (from an interview in LIBERATION newspaper)

Bettencourt stopped dealing with printing in 1962 but he continued writing and painting. He got married in 1963 and since then he lived in Yonne (Stigny). He wrote poems in prose, short stories, myths and narratives of imaginery travels although he actually travelled a lot.
As a visual artist he created (among other works) large mosaics made of natural materials: eggshells, butterfly wings, dry seeds, coffee or corn beans...

THE LAST WORDS

I put in a bottle filled with water my wife`s last words. The black letters dissolved at once, and the water got the colour of bog. Few years later i found that bottle in a cupboard on the wall; the water had evaporated, and at the bottom the letters had got back their shape. It looked like the letters felt bound to express a meaning, they had been back in line therefore. But water withdrawal surprised the most careless and only few could stay together. And those they were asking now: " where are you?".

(from FABLES FRAICHES POUR LIRE A JEUN, anthology, Lettres Vives,1986)

With many ways someone can draw the sea.
Mean sea-painters represent tempests and shipwrecks.
Sometimes we ask from them to draw us the distant seas
where the strangers came from.
But only poets with all-pure hand, with gentle motions, are those
they draw the lines of streams we travel.

(from LOU-KIANG-TUE. OMBRES CHINOISES, 1959 )

Other Bettencourt books: "LA FOLIE GAGNE", "L`INTOUCHABLE", "LE BAL DES ARDENTS", "LES PLAISIRS DU ROI", "ECRIT DANS LE VIDE", "MILLE MORTS", "L`OCEAN DE MEMOIRE", "CONVERSATIONS AVEC DIEU", "HISTORIE NATURELLE DE L`IMAGINAIRE", "APRE MOI, LE SOLEIL" a.o.

Bettencourt`s printing house in Saint-Maurice d`Etelan

(drawing of Christian Jouanin)

NOTE: The English version of BETTENCOURT texts is based on the greek translations by
E. X. GONATAS